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![]() This complex collaborative endeavor was created by The GALA Committee: a group comprised primarily of students and faculty from the University of Georgia and CalArts. The group organized initially around the activity of developing site-specific art objects for the sets of the popular television series. Working first with Melrose's Set Decorator, GALA's collaborative structure quickly grew to include scholars, critics, other artists, and, most notably, the writers and producers of Melrose Place itself. With the ultimate goal of involving the television audience, the GALA Committee placed numerous props and set pieces in camera's view, which were then broadcast to an international audience of millions. Although the artworks were not intended to subvert or parody the series, the characters and stories often provided an opportunity to create ![]() |
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FUTURE
UPDATE It's 2021, a quarter century after the GALA Committee initiated its viral infection of the global electronic net. As we now know, that world historic event started humbly enough with the GALA Committee's gentle invasion of its first host, Melrose Place, a kitchy if surprisingly clever soap opera destined for the recycling bin of syndicated nostalgia, which instead found itself not only remembered but revered for its pioneering effort to creatively fuse the worlds of art and television. Who could have known that this small yet unprecedented collaboration between the television veterans who produced Melrose Place for Aaron Spelling (mega-producer Tori Spelling's father) and the GALA Committee artists would lead to a profoundly radical transformation of worldwide art, entertainment, communication and government. |
GALA's noncommercial PIMs (product insertion manifestations) began to take hold with the introduction of HDTV (now obsolete.) Popular VVs and F2B/B2F parties (aka Vice Versas and Foreground to Background) were the way to watch PIM-affected programs. Meanwhile, in the academic world, multidimensional conceptual perceptual field dynamics grew more powerful as CPOs (Conceptual/Perceptual Oscillations) produced a cascade effect of democratic expression and desires. The worldwide fan net, once under the control of consumer/media marketing professionals, had no choice but to rethink their strategies to match the yearning for ideas provoked by the new forms of intelligent simulevel entertainment.
From
the perspective of twenty-five years, it is easy to see the GALA Committee's
historical predecessors (it also helps being wetwired into the Global
Instant Database) Throughout the 1980s, ACT UP, the slashers, Paper Tiger
Television, the Tape Beatles, Emergency Broadcast Network, the Barbie
Liberation Organization, local TV pirates, and indigenous media groups
made guerilla raids on television. Using the cultural terrorist tactics
of poaching, hacking, slashing and jamming, these groups of artists and
activists created a new electronic folk culture out of the materials of
mass-produced culture. The GALA Committee tweaked those tactics to develop
a more viral strategy of infection and mutation that eventually spread
through the whole electronic realm. |
We used to watch television. Now we live in it. Improbably, it was the GALA Committee's fuzzy-grained millisecond presence on Melrose Place that inspired the new forms of truly interactive virtual environments that we inhabit today. As Amanda Woodward often said, there's no predicting the future. |